![]() * Shadow details are lost because sRGB encoding in the shadows don’t have the fine granularity of the Rec. Matches what YouTube viewers see on their sRGB display 709 (as advised by Lars Borg, Color Science guru at Adobe). 2020 options, since the Premiere Pro timeline is always Rec. 709 and sRGB and YouTube delivery.Ĭolor Management ON is useful when that’s not the case, and you want your display to reproduce the color appearance of the timeline on a reference monitor.Įdit Jan 30, 2019: Simplified the table by removing the Rec. That depends on the color space of your timeline and your display.Ĭolor Management OFF is great if your screen matches the media on the timeline. Books on Premiere Pro and After Effects. ![]() Workshop: Build a Motion Graphics package for your company.Let me create Motion Graphics Templates for your company. ![]()
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